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Beckett, Samuel

  1. Abbott, H. Porter. "Farewell to Incompetence: Beckett's How It Is and "Imagination Dead Imagine."In Contemporary Literature, Volume 11, No. 1, Winter 1970. pp. 36-47.
    Criticism -- How It Is -- "Imagination Dead Imagine"

  2. In Abel, Lionel. Metatheatre. New York, Hill and Wang, 1963. pp. 83-85, 134-140
    Criticism -- Plays -- Endgame -- Joyce, James

  3. In Adams, Robert Martin. After Joyce. New York: Oxford University Press, 1977. pp. 90-113.
    Criticism -- Novels -- How It Is -- Malone Dies -- Molloy -- Murphy -- The Unnamable -- Watt

  4. In Allsop, Kenneth. The Angry Decade. London P. Owen, 1958. pp. 37-40.
    Criticism -- Works

  5. Alpaugh, David J. "Embers and the Sea: Beckettian Intimations of Mortality." In Modern Drama, Volume 16, 1973. pp. 317-328.
    Criticism -- Embers0

  6. Alpaugh, David J. "Negative Definition in Samuel Beckett's Happy Days ." In Twentieth Century Literature, Volume 11, No. 4, January 1966, pp. 202-210.
    Criticism -- Happy Days

  7. Alpaugh, David J. "The Symbolic Structure of Samuel Beckett's All That Fall." In Modern Drama, Volume 9, 1966. pp. 324-332.
    Criticism -- All That Fall

  8. In Armstrong, William, ed. Experimental Drama. London, G. Bell, 1963. pp. 128-139.
    Criticism -- Works -- Waiting for Godot

  9. Barge, Laura. "'Coloured Images' in the 'Black Dark': Samuel Beckett's Later Fiction. In PMLA, Volume 92, March 1977. pp. 283-284.
    Criticism -- First Love, and Other Stories -- "From an Abandoned Work" -- How It Is -- "Imagination Dead Imagine" -- The Lost Ones -- "Ping" -- Proust

  10. Bentley, Eric. "The Talent of Samuel Beckett." In New Republic, May 14, 1956. pp. 59-66.
    Shelved in Social Sciences Department.
    Criticism -- Waiting for Godot

  11. Bersani, Leo. "No Exit for Beckett." In Partisan Review, Volume 33, Spring 1966. pp. 261-268.
    Criticism -- Works

  12. Blair, Deirde. "Mercier and Camier." In The New York Times Book Review, March 9, 1975. pg. 19.
    Criticism -- Mercier and Camier

  13. In Bloom, Harold. Ruin the Sacred Truths. Cambridge, Mass. : Harvard University Press, 1989. pp. 197-204.
    Criticism -- Works

  14. In Bloom, Harold. The Western Canon. New York : Harcourt Brace, c1994. pp. 493-514.
    Criticism -- Shakespeare, William -- Endgame -- Krapp's Last Tape -- Murphy -- Proust -- Waiting for Godot

  15. Brater, Enoch. "Light, Sound, Movement, and Action in Beckett's Rockaby." In Modern Drama, Volume 25, No. 3, September 1982. pp. 342-348.
    Criticism -- Rockaby

  16. Brater, Enoch. "Mis-takes, Mathematical and Otherwise in The Lost Ones." In Modern Fiction Studies, Volume 29, 1983. pp 93-109.
    Criticism -- The Lost Ones

  17. Brater, Enoch. "Why Beckett's Enough Is More or Less Enough." "In Contemporary Literature, Volume 21, Spring 1980, pp. 252-266.
    Criticism -- "Enough"

  18. Brooks, Curtis. "Mythic Pattern in Waiting for Godot."In Modern Drama, Volume 9, No. 3, December 1966. pp. 292-299.
    Criticism -- Waiting for Godot

  19. In Brown, John Russell. Modern British Dramatists. Englewood Cliffs, N.J., Prentice-Hall, 1968. pp. 58-64.
    Criticism -- Waiting for Godot

  20. In Brown, Terence. Ireland's Literature. Mullingar : Lilliput Press ; Totowa, N.J. : Barnes & Noble Books, 1988. pp. 117-126.
    Criticism -- Works -- Children in Literature

  21. In Brustein, Robert. Seasons of Discontent, 1959-1965. New York, Simon and Schuster, 1965. pp. 26-28, 53-56,
    Criticism -- Happy Days -- Krapp's Last Tape -- Play

  22. In Cahalan, James. The Irish Novel . Boston, Mass. : Twayne Publishers c1988. pp. 246-253.
    Criticism -- Works -- Malone Dies -- Molloy -- Murphy -- Watt

  23. Castillo, Debra. "Beckett's Metaphorical Towns." In Modern Fiction Studies , Volume 28, 1982. pp. 191-200.
    Criticism -- Mercier and Camier -- Molloy -- Murphy --

  24. In Clurman, Harold. The Divine Pastime. New York, Macmillan, 1974. pp. 63-65, 107-108, 119-124.
    Criticism -- Works -- Happy Days -- Krapp's Last Tape -- Waiting for Godot

  25. In Clurman, Harold. Lies Like the Truth; Theatre Reviews and Essays. New York, Macmillan, 1958. pp. 220-222.
    Criticism -- Waiting for Godot

  26. In Clurman, Harold. Naked Image. New York, Macmillan, 1966. pp. 40-43.
    Criticism -- Happy Days

  27. Cohen, Robert S. "Parallels and the Possibility of Influence Between Simone Weil's and Samuel Beckett's Waiting for Godot ." In Modern Drama, Volume 6, 1964. pp. 426-436.
    Criticism -- Waiting for Godot

  28. Cohn, Ruby. "The Beginning of Endgame." In Modern Drama, Volume 9, Number 1, May 1961. pp. 319-323.
    Criticism -- Endgame

  29. In Cohn, Ruby. Currents of Contemporary Drama. Bloomington, Indiana University Press, 1969. pp. 33-37, 74-77, 186-197, 224-233.
    Criticism -- Works -- Happy Days -- Waiting for Godot

  30. Cohn, Ruby. "Waiting is All." In Modern Drama, Volume 3, No 2, September 1960. pp. 162-167.
    Criticism -- Waiting for Godot

  31. Cohn, Ruby. Watt in the Light of The Castle." In Contemporary Literature, Volume 12, Spring 1961. ppl 154-166.
    Criticism -- The Castle -- Kafka, Franz -- Watt

  32. In Cook, Albert. Prisms. Bloomington, Indiana University Press, 1967. pp. 100-110, plus see index.
    Criticism -- Endgame

  33. In Contemporary English Novel. New York : Holmes & Meier Publishers, 1980, c1979. pp. 89-102, plus see index.
    Criticism -- Works -- For To Yet Again -- How It Is -- The Lost Ones -- Malone Dies -- Mercier and Camier -- Murphy -- The Unnamable

  34. Cornwell, Ethel. "Samuel Beckett: The Flight from Self." In PMLA, Volume 88, January 1973. pp. 41-51.
    Criticism -- The Unnamable

  35. In Corrigan, Robert. Comedy: Meaning and Form. San Francisco, Chandler Pub. Co., 1965. pp. 427-439.
    Criticism -- Works -- Murphy -- Watt

  36. In Cruickshank, John. The Novelist as Philosopher . London New York, Oxford University Press, 1962. pp. 128-146
    Criticism -- Novels -- Malone Dies -- Molloy -- Murphy -- Textes pour rien (Stories and Texts for Nothing) -- The Unnamable

  37. Culik, Hugh. "The Place of Watt in Beckett's Development." In Modern Fiction Studies, Volume 29, 1983. pp. 57-71.
    Criticism -- Watt

  38. In Davies, Robertson. A Voice from the Attic. New York, Knopf, 1960. pp. 322-323.
    Criticism -- Malone

  39. Dobree, Bonamy. "Drama in England." In Sewanee Review, Volume 64, No. 3, Suummer 1956. pp. 470-484.
    Criticism -- Waiting for Godot

  40. Dukore, Bernard. "Krapp's Last Tape as Tragicomedy." In Modern Drama, Volume 15, 1972. pp. 351-354.
    Criticism -- Krapp's Last Tape

  41. In Dunn, Douglas. Two Decades of Irish Writing. Chester Springs, Pa. : Dufour Editions, 1975. pp. 186-196.
    Criticism -- Works

  42. Easthope, Anthony. "Hamm, Clov, and Dramatic Method in Samuel Beckett's Endgame."In Modern Drama, Volume 10, No. 4, February 1968. pp. 424-433.
    Criticism -- Endgame

  43. Eastman, Richard M. "Samuel Beckett and Happy Days." In Modern Drama, Volume 6, February 1964. pp. 417-424.
    Criticism -- Happy Days

  44. Eastman, Richard M. "The Strategy of Samuel Beckett's Endgame." In Modern Drama , Volume 2, No. 1, May 1959. pp. 36-44.
    Criticism -- Endgame

  45. In Ellmann, Richard. a long the river run: Selected Essays. New York : Knopf, 1989, c1988. pp. 229-238.
    Biography

  46. In Engel, Lehman. The Critics. New York : Macmillan, c1976. pp. 128-129, 208-209.
    Criticism -- Krapp's Last Tape -- Waiting for Godot

  47. In Esslin, Martin. Theatre of the Absurd. Garden City, N.Y. Anchor Books, 1969. pp. 11-65.
    Criticism -- Works -- All That Fall -- Endgame -- Happy Days -- Imagination Dead Imagine -- Krapp's Last Tape -- Molloy -- Waiting for Godot -- Whoroscope

  48. Finney, Brian. "A Reading of Beckett's Imagination Dead Imagine." In Twentieth Century Literature, Volume 17, April 1971, pp. 65-71.
    Criticism -- "Imagination Dead Imagine"

  49. In Fletcher, John. New Directions in Literature . London, Calder & Boyars, 1968. pp. 91-95, plus see index.
    Criticism -- Works

  50. Francis, Richard Lee. "Beckett's Metaphysical Tragi-comedy."In Modern Drama, Volume 8, 1965. pp. 259-267.
    Criticism -- Waiting for Godot

  51. Frye, Northrup. "Nightmare Life in Death." In Hudson Review. Volume 13, 1960. pp. 442-449.
    Criticism -- Malone Dies -- Molloy -- Murphy -- The Unnamable -- Waiting for Godot

  52. In Garzilli, Enrico. Circles Without Center: Paths to the Discovery of Self in Modern Literature. Cambridge, Mass.: Harvard University Press, 1972. pp. 47-52.
    Criticism -- The Unnamable

  53. In Gassner, John Theatre At The Crossroads. New York, Holt, Rinehart and Winston [1960]. pp. 252-261.
    Criticism -- Endgame -- Waiting for Godot

  54. In George, Kathleen. Rhythm in Drama. Pittsburgh, Pa. : University of Pittsburgh Press, c1980. See index.
    Criticism -- Plays -- Happy Days -- Waiting for Godot

  55. Gilman, Richard. "Beckett." In Partisan Review, Volume 41, 1974. pp. 56-76.
    Criticism -- Works -- Endgame -- Happy Days -- Waiting for Godot

  56. In Gilman, Richard. The Making of Modern Drama . New York, Farrar, Straus and Giroux [1974]. pp. 234-266.
    Criticism -- Plays -- Endgame -- Happy Days -- Krapp's Last Tape -- Waiting for Godot

  57. In Glicksberg, Charles I. The Self in Literature. Pennsylvania State University Press, 1963. pp. 117-133.
    Criticism -- Works -- Endgame -- Malone Dies -- Molloy -- Murphy -- The Unnamable -- Waiting for Godot

  58. Graver, Lawrence. "Guides to the Ruins." In Partisan Review, Volume 41, No. 4, 1974. pp. 622-625.
    Criticism -- The Lost Ones

  59. In Guicharnaud, Jacques. Modern French Theatre from Giraudoux to Genet. New Haven, Yale University Press, 1967. pp. 230-258, plus see index.
    Criticism -- Plays -- Waiting for Godot

  60. Hampton, Charles C. "Samuel Beckett's Film." In Modern Drama, Volume 11, No. 3, December 1968. pp. 399-305.
    Criticism -- Film

  61. Harvey, Lawrence. "Art and the Existential in En Attendant Godot." In PMLA, Volume 75, March 1960. pp. 137-145.
    Criticism -- Waiting for Godot

  62. In Hassan, Ihab. The Dismemberment of Orpheus. New York, Oxford University Press, 1971. pp. 210-246.
    Criticism -- Works -- Endgame -- How It Is -- Malone Dies -- Molloy -- Murphy -- The Unnamable -- Waiting for Godot

  63. In Hayman, Ronald. Theatre and Anti-Theatre. New York : Oxford University Press, 1979. pp. 1-16, 36-47, plus see index.
    Criticism -- Works -- Endgame -- Happy Days -- Merceir and Camier -- Proust -- Waiting for Godot

  64. In Heppenstall, Rayner. The Fourfold Tradition. London, Barrie and Rockliff, 1961. pp. 254-265.
    Criticism -- Works

  65. Hooker, Ward. "Irony and Absurdity in the Avant-Garde Theatre."In Kenyon Review, Volume 22, Summer 1960. pp. 436-454.
    Criticism -- Waiting for Godot

  66. Hubert, Renee. "Beckett's Play Between Poetry and Performance." In Modern Drama, Volume 9, No. 3, December 1966. pp. 339-346.
    Criticism -- Play

  67. Hutchings, William. "'The Unintelligble Terms of an Incomprehesible Damnation': Samuel Beckett's The Unnamable, Sheol and St. Erkenwald." In Twentieth Century Literature, Volume 27, 1981, pp. 98-111.
    Criticism -- The Unnamable

  68. Iser, Wolfgang. "Beckett's Dramatic Language." In Modern Drama, Volume 9, No. 3, Dec. 1966. pp. 251-259.
    Criticism -- Plays

  69. Jones, Louisa. "Narrative Salvation in Waiting for Godot."In Modern Drama, Volume 17, 1974. pp. 179-188.
    Criticism -- Waiting for Godot

  70. In Karl, Frederick. Contemporary English Novel. New York, Farrar, Straus and Cudahy, 1962. pp. 19-39.
    Criticism -- Novels -- Malone Dies -- Molloy -- Murphy -- The Unnamable -- Watt

  71. Kermode, Frank. "How It Is."In New York Review of Books, Volume 11, March 19, 1964. pp. 194-211.
    Criticism -- How It Is

  72. In Kermode, Frank. Puzzles and Epiphanies. New York, Chilmark Press, 1962. pp. 156-161.
    Criticism -- Works -- Waiting for Godot

  73. In Kern, Edith. The Absolute Comic . New York : Columbia University Press, 1980. See index.
    Criticism -- Works -- Waiting for Godot

  74. Kern, Edith. "Beckett and the Spirit of the Commedia Dell'Arte."In Modern Drama, Volume 9, No. 3, December 1966. pp. 260-267.
    Criticism -- Waiting for Godot

  75. In Kott, Jan. Theatre Notebook, 1947-1967. Garden City, N.Y., Doubleday, 1968. pp. 241-245.
    Criticism -- Happy Days

  76. Lawley, Paul. "Adoption in Endgame." In Modern Drama , Volume 31, No. 4. December 1988. pp. 529-535.
    Criticism -- Endgame

  77. Levy, Eric. "Living Without a Life: Disintegration of the Christian-Humanist Synthesis in Molloy." InStudies in the Novel, Vol. 33, No. 1, Spring 2001, pp. 80-94.
    Criticism -- Molloy

  78. In Lewis, Allan. The Contemporary Theatre. New York: Knopf, 1956. pp. 261-265.
    Criticism -- Plays -- Waiting for Godot

  79. Liddy, James. "Island Truancies: The Sauntering of Mercier and Camier. In Review of Contemporary Fiction, Volume 7, Number 2, 1987. pp. 44-48.
    Criticism -- Mercier and Camier

  80. In Lumley, Frederick New Trends in 20th Century Drama. New York, Oxford University Press, 1967. pp. 202-208.
    Criticism -- Plays -- Happy Days -- Waiting for Godot

  81. Lyons, Charles R. "Beckett's Endgame: An Anti-Myth of Creation." In Modern Drama, Volume 7, September 1964. pp. 204-209.
    Criticism -- Endgame

  82. In Mabley, Edward. Dramatic Construction . Philadelphia, Chilton Book Co., 1972. pp. 314-332.
    Criticism -- Waiting for Godot

  83. McElroy, Joseph. "The Lost Ones." In The New York Times Book Review, October 29, 1972. pp. 4, 20.
    Criticism -- The Lost Ones

  84. In Mailer, Norman. Advertisements for Myself. New York : Putnam, 1959. pp. 320-325.
    Criticism -- Waiting for Godot

  85. In Mauriac, Claude. The New Literature. New York, G. Braziller, 1959. pp. 75-90.
    Criticism -- Works -- Malone Dies -- Molloy -- Murphy -- Tales and Texts for Nothing (Stories and Texts for Nothing) -- The Unnamable -- Waiting for Godot

  86. Milalyi, Gabor. "Beckett's Godot and the Myth of Alienation." In Modern Drama , Volume 9, No. 3. pp. 277-282.
    Criticism -- Waiting for Godot

  87. Mood, John. "The Personal System: Samuel Beckett's Watt."In PMLA, Volume 86, No. 2, March 1971. pp. 255-265.
    Criticism -- Watt

  88. In Moore, Harry T. Twentieth Century French Literature. Vol. 2, Since World War II. Carbondale, Ill.: Southern Illinois University Press, 1966. pp. 58-73.
    Criticism -- Novels -- Plays -- Endgame -- Waiting for Godot

  89. Morse, J. Mitchell. "The Contemplative Life of Samuel Beckett."In Hudson Review. Volume 15, Winter 1962-1963. pp. 512-524.
    Criticism -- Works

  90. In Nadeau, Maurice. The French Novel Since the War. London: Methuen, 1967. pp. 123-126.
    Criticism -- Works

  91. In Nightingale, Benedict. Reader's Guide to 50 Modern British Plays. London : Heinemann ; Totowa, N.J. : Barnes & Noble, 1982. pp. 258-283. Criticism -- Plays -- "Waiting for Godot" -- "Endgame" -- "Not I"

  92. In Oates, Joyce Carol. New Heaven, New Earth. New York : Vanguard Press, 1974. pp. 83-96.
    Criticism - Novels - Malone Dies - Molloy - The Unnamable

  93. Oberg, Arthur K. "Krapp's Last Tape and the Proustian Vision." In Modern Drama, Volume 9, No. 3, December 1966. pp. 333-338.
    Criticism -- Krapp's Last Tape

  94. O'Hara, J.D. "A Writer at the Mercy of Memory." In The New York Times Book Review, November 2, 1980. pp. 7, 45.
    Criticism -- Company

  95. Park, Eric. "Fundamental Sounds: Music in Samuel Beckett's Murphy and Watt." In Modern Fiction Studies, Volume 21, No. 2, Summer 1975. pp. 157-171.
    Criticism -- Murphy -- Watt

  96. Pearce, Richard. "The Limits of Realism." In College English, Volume 31, January 1970. pp. 335-343.
    Criticism -- Waiting for Godot

  97. In Plimpton, George, ed. Playwrights at Work. New York : Modern Library, 2000. pp. 3-22.
    Criticism -- Interview -- Act Without Words -- Endgame

  98. Postlewait, Thomas. "Self-Performing Voices: Mind, Memory and Time in Beckett's Drama." In Twentieth Century Literature, Volume 24, No. 4, Winter 1978. pp. 473-491.
    Criticism -- Plays -- Endgame -- Waiting for Godot

  99. In Pritchett, V. S. The Living Novel & Later Appreciations. New York, Random House, 1964. pp. 315-320.
    Criticism -- Malone Dies -- Molloy -- The Unnamable

  100. Rabinovitz, Rubin. "Style and Obscurity in Samuel Beckett's Early Fiction." In Modern Fiction Studies, Volume 20, 1974. pp. 399-406.
    Criticism -- Murphy -- Watt

  101. Read, David. "Beckett's Search for Unseeable and Unmakeable: Company and Ill Seen Ill Said."In Modern Fiction Studies , Volume 29, 1983. pp. 111-125.
    Criticism -- Company -- Ill Seen Ill Said

  102. In Rexroth, Kenneth. Bird in the Bush . New York, New Directions, 1959. pp. 75-85.
    Criticism -- Works -- Waiting for Godot

  103. Rexroth, Kenneth. "The Point is Irrelevance." In The Nation, Volume 182, April 14, 1956. pp. 325-328.
    Shelved in Social Sciences Department.
    Criticism -- Works

  104. Ricks, Christopher. "Beckett First and Last." In The New York Review of Books, Volume 19, December 12, 1972. pp. 42-44.
    Criticism -- The Lost Ones

  105. In Roudiez, Leon S. French Fiction Today. New Brunswick, N. J., Rutgers University Press, 1972. pp. 81-103.
    Criticism -- Novels -- How It Is (Comment c'est) -- Malone Dies -- Molloy -- Murphy -- The Unnamable

  106. Schechner, Richard. "There's Lots of Time in Godot."In Modern Drama, Volume 9, No. 3, December 1966, pp. 268-276.
    Criticism -- Waiting for Godot

  107. Schoell, Konrad. "The Chain and the Circle: A Structural Comparison of Waiting for Godot and Endgame. In Modern Drama, Volume 11, No. 1, May 1968. pp. 48-53.
    Criticism -- Endgame -- Waiting for Godot

  108. In Segal, Erich. The Death of Comedy. Cambridge, Mass. : Harvard University Press, 2001. pp. 434-452.
    Criticism -- Krapp's Last Tape -- Waiting for Godot

  109. Senneff, Susan Field. "Song and Music in Samuel Beckett's Watt." In Modern Fiction Studies, Volume 4, 1964. pp. 137-149.
    Criticism -- Watt

  110. Sheedy, John J. "The Comic Apocalypse of King Hamm." In Modern Drama, Volume 9, No. 3, December 1966. pp. 310-318.
    Criticism -- Endgame

  111. In Sherrell, Richard E. The Human Image: Avant-Garde and Christian. Richmond, John Know Press, 1969. pp. 45-64.
    Criticism -- Waiting for Godot

  112. Smith, Frederik N. "Beckett's Verbal Slapstick." In Modern Fiction Studies , Volume 29, 1983, pp. 45-55.
    Criticism -- Works -- Company -- How It Is -- The Lost Ones -- Molloy -- Murphy -- The Unnamable -- Watt

  113. Smith, Roch. "Naming the M/inotaur: Beckett's Trilogy and the Failure of Narrative." In Modern Fiction Studies , Volume 29, 1983. pp. 73-80.
    Criticism -- Malone Dies -- Molloy -- The Unnamable

  114. Stein, Karen. "Metaphysical Silence in Absurd Drama." In Modern Drama, Volume 13, February 1971, pp. 423-431.
    Criticism -- Waiting for Godot

  115. Steinberg, S.C. "The External and the Internal in Murphy."In Twentieth Century Literature, Volume 18, No. 2, April 1972. pp. 93-110.
    Criticism -- Murphy

  116. Steiner, George. "Of Nuance and Spirit." In The New Yorker, Volume 44, April 27, 1968. pp. 164-174.
    Criticism -- Works

  117. In Stevenson, Randall. The British Novel Since the Thirties. Athens : University of Georgia Press, c1986. pp. 196-200.
    Criticism -- Novels -- Malone Dies -- Molloy -- Murphy -- The Unnamable

  118. In Styan, J. L. The Dark Comedy. Cambridge, Eng., University Press, 1962. pp. 226-231, plus see index.
    Criticism -- Plays -- All That Fall -- Waiting for Godot

  119. Swanson, Eleanor. "Samuel Beckett's Watt: A Coming and a Going." In Modern Fiction Studies, Volume 17, No. 2, Summer 1971. pp. 264-268.
    Criticism -- Watt

  120. "They Also Serve." In Times Literary Supplement, No. 2185, February 10, 1956. pg. 84.
    Criticism -- Waiting for Godot

  121. Thomas, Ronald. "In the Company of Strangers: Absent Voices in Stevenson's Dr. Jekyll and Mr. Hyde and Beckett's Company." In Modern Fiction Studies, Volume 32, 1986. pp. 164-172
    Criticism -- Stevenson, Robert Louis -- Company -- Dr. Jekyll and Mr. Hyde

  122. Trousdale, Marion. "Dramatic Form: The Example of Godot."In Modern Drama, Volume 11, No. 1, May 1968. pp. 1-9.
    Criticism -- Waiting for Godot

  123. In Tynan, Kenneth. Curtains. New York, Atheneum, 1961. pp. 101-103.
    Criticism -- Waiting for Godot

  124. In Tynan, Kenneth. Tynan Left and Right. New York, Atheneum, 1967. pp. 105-106.
    Criticism -- Happy Days

  125. In Walcutt, Charles Child. Man's Changing Mask. Minneapolis, University of Minnesota Press, 1966. pp. 339-346.
    Criticism -- Malone Dies

  126. Wood, Michael. "Comedy of Ignorance." In New York Review of Books, Volume 28, No. 7, April 30, 1081. pp. 49-52.
    Criticism -- Works -- "All Strange Away" -- Company -- "Ohio Impromptu" -- "A Piece of Monologue" -- Rockaby

  127. Zilliacus, Clas. "Samuel Beckett's Embers: A Matter of Fundamental Sounds." In Modern Drama, Volume 13, September 1970. pp. 216-225.
    Criticism -- Embers

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